Ruth Marten 'A Treasure Hunt In A Lazar House' Dec 14th - Jan 19th, London



Isis Gallery / Pure & Applied, London
14th December - 19th January
Private view 6-9pm 13th December

Ruth%20Roccoco%20web.jpg

Rococo 2012, Ink and collage with mylar on vintage print, 20.1cm x 15.cm


‘Later, over coffee, Pablo said, “I want to show you my latest, Gert,” and brought out the famous painting, Figure Seated in Wicker Chair. At the same moment, all-done-in from having tested the recipe of the hashish fudge yet again, Alice lurched into the room.”
Instant Lives & More by Howard Moss

Arranged literally as a treasure hunt amongst the fine prints on offer at London’s wonderful vintage print store Pure & Applied, Ruth Marten’s elegantly lubricious work is a joyful encounter. Using 17th-19th century prints from the flea markets of NYC as starting points, Marten looks for a hidden narrative and draws it out with super-subtle collaging, rearrangement, the finest hand with pen and ink and a lightness of touch that corresponds to John Heartfield’s proclaimed “tiny spot of colour” needed to turn a work into “art of a special kind”1

Evidently the title of the show hints at the nature of the delights within. A peek into the closet may reveal a misplaced nose or some toes, hair may overflow, yet sparkling, ribald laughter may be heard in the next room... Whilst there is kinship to the collages/frottages of Max Ernst, Marten’s work crackles with more pleasure, charm and sauce than his violence and darkness. Indeed Marten’s sold-out monograph Histoire un-Naturelle (Isis Editions, 2009) is a playful boot up the backside to Ernst’s Histoire Naturelle (Galerie Jeanne Boucher, 1926 - which was also a riff on the Comte de Buffon’s thirty six volumes of Histoire Naturelle, France 1749–1788).

Neither random nor accidental, Marten’s juxtapositions are closer to a love affair between a sewing machine and an umbrella than a chance encounter and although Marten’s leprous friends look quite reasonably distressed by their elaborate blossoms then there is a humour to their rendering that this phantasia (Greek - ‘making visible’) abounds in. ‘Rococo’ (2012) seems to me to be the more intriguing and generous cousin to either the shell-headed vamp in Hugnet’s ‘Fantasy’ (1937) or any of Linder Sterling’s iron/stereo/kettle-head women, and ‘Ecstasy’ (2012) is pure radiant pleasure in hirsuteness, a subject for which Marten has a rep. Of course drawing is magic, and there is so much fantasy and sleight of hand to enjoy here that we can lose ourselves for a while.

The venue on Bermondsey Street is apt. There was a leper hospice - or Lazar House - close by in the 13th century and Pure & Applied has long been a good place to find a vintage engraving of a neck goitre, should you need one. Positioned directly opposite White Cube’s wonderful new museum-grade space and with plenty of fine food close by (including Zucca - ***** Time Out), A Treasure Hunt In A Lazar House at Pure & Applied is a delight.

Pure & Applied
169 Bermondsey Street
London SE1 3UW.

Opening Hours

10.30am-5.30pm Monday-Friday
11am-4pm Saturday December 15th
11am-4pm Saturday December 22nd
10.30am -5.30pm Wednesday January 2nd

All other Saturdays by appointment

1 ‘John Heartfield: A Monograph’ Solomon Telingater and Sergei Tretyakov Moscow 1936





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Director: John Marchant

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